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Installation view, Oscar Murillo: Marks and Whispers, Gagosian, Rome, April 12–June 15, 2024. Artwork © Oscar Murillo. Photo: Matteo D’Eletto, M3 Studio

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Contemporanea 2024
Rome Gallery Weekend

May 10–12, 2024
Various locations in Rome
contemporanearoma.com

Gagosian is participating in the second annual Contemporanea—Rome Gallery Weekend with Oscar Murillo: Marks and WhispersThe exhibition, on view at Gagosian, Rome, will be open from 10:30am to 8pm on Friday, May 10, and Saturday, May 11, and from 12 to 6pm on Sunday, May 12. Organized by contemporary art galleries active in and around Rome, the initiative includes more than fifty of the city’s leading galleries, museums, foundations, and art spaces.

Installation view, Oscar Murillo: Marks and Whispers, Gagosian, Rome, April 12–June 15, 2024. Artwork © Oscar Murillo. Photo: Matteo D’Eletto, M3 Studio

Anselm Kiefer, Katzensilber (White Mica), 1994–2012 © Anselm Kiefer. Photo: Charles Duprat

In Conversation

Joshua Chuang and Sébastien Delot
On Anselm Kiefer’s Photography

Monday, May 13, 2024, 6:30pm
Gagosian, 976 Madison Avenue, New York

Join Gagosian for a conversation between Joshua Chuang and Sébastien Delot on Anselm Kiefer’s photography practice inside the exhibition Anselm Kiefer: Punctum at Gagosian, New York. Chuang is director of photography at the gallery and Delot is director of conservation and collections at the Musée Picasso, Paris, and in 2023 organized the first retrospective to focus on Kiefer’s use of photography. The pair will discuss the artist’s exploration of the medium’s materials, processes, and expressive potentials and how these inform his paintings and artist’s books. Returning to perennial motifs and images, the photographs in the exhibition reinforce the continuity of themes such as ruin and destruction, and growth and renewal, across Kiefer’s oeuvre.

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Anselm Kiefer, Katzensilber (White Mica), 1994–2012 © Anselm Kiefer. Photo: Charles Duprat

Nan Goldin, Self-portrait with eyes turned inward, Boston, 1989 © Nan Goldin

Shop Takeover

Nan Goldin

May 14–June 22, 2024
Gagosian Shop, London

Nan Goldin is taking over the Gagosian Shop in London’s Burlington Arcade, offering visitors an opportunity to explore her practice in depth. The basement floor will be transformed into a reading room of books chosen by Goldin, with publications on artists such as Louise Bourgeois, Larry Clark, Andy Warhol, and David Wojnarowicz, and fiction, essays, and memoirs by writers including Toni Morrison, Darryl Pinckney, Lucy Sante, and Sarah Schulman. A wide selection of publications on Goldin are available on the ground floor, including both new and out-of-print exhibition catalogues, monographs, and artist’s books. Also on display are in-progress layouts from Heartbeat, a forthcoming nine-volume catalogue raisonné of Goldin’s photographs published by Steidl. Over the course of the takeover, different pages from this comprehensive publication project will be displayed, revealing Goldin’s notes and markups over the course of its development.

The Shop takeover accompanies an exhibition of Goldin’s early works in the gallery upstairs and Nan Goldin: Sisters, Saints, Sibyls, the second presentation in the Gagosian Open series of off-site exhibitions, on view at 83 Charing Cross Road from May 30 to June 23, 2024.

Nan Goldin, Self-portrait with eyes turned inward, Boston, 1989 © Nan Goldin

Sky High Farm, Columbia County, New York. Photo: Ryan McGinley

Fundraiser

Sky High Farm Spring Picnic

Saturday, May 18, 2024, 2–6pm
Kaatsbaan Cultural Park, Tivoli, New York
www.skyhighfarm.org

Sky High Farm is hosting a picnic fundraiser featuring a DJ set by Michaël Brun and performances by Kelsey Lu, Moses Sumney, The Roots, and other special acts, with food and beverages by local Hudson Valley purveyors available for purchase. The farm is a nonprofit founded by Dan Colen that aims to improve access to nutritious food for New Yorkers in underserved communities. All proceeds from the event will benefit Sky High Farm’s work to solve urgent and long-term issues at the intersection of climate, food access, and education.

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Sky High Farm, Columbia County, New York. Photo: Ryan McGinley

Rick Lowe (New York: Gagosian, 2023)

In Conversation

Rick Lowe
Dieter Roelstraete

Tuesday, April 30, 2024, 6pm
Seminary Co-op Bookstore, Chicago
www.semcoop.com

Rick Lowe and Dieter Roelstraete, curator of the Neubauer Collegium for Culture and Society at the University of Chicago, will be in conversation at the Seminary Co-op Bookstore in Chicago, in partnership with the Neubauer CollegiumThe pair will discuss the artist’s recent monograph—the first to present a comprehensive, career-spanning account of Lowe’s art and social practice. Copublished by Gagosian and the Neubauer Collegium, the book was coedited by Roelstraete and also features an essay by the curator. The event is free to attend and will include a question-and-answer session.

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Rick Lowe (New York: Gagosian, 2023)

Sarah Sze, Shorter Than the Day, 2020, installation view, LaGuardia Airport, New York © Sarah Sze. Photo: Nicholas Knight

In Conversation

Public Art Fund Talks
Sarah Sze and Teju Cole

Thursday, April 25, 2024, 6:30–7:30pm
Cooper Union School of Art, New York
cooper.edu

Sarah Sze will be in conversation with writer Teju Cole as part of Public Art Fund Talks, a series organized in collaboration with the Cooper Union to connect contemporary artists to a broad public. The pair will discuss Sze’s ambitious site-specific sculpture Shorter Than the Day (2020), permanently installed at LaGuardia Airport, New York. Commissioned in a partnership between Public Art Fund and LaGuardia Gateway Partners, Sze’s work evokes the passage of time through an intricate constellation of photographs of the sky above New York City taken over the course of one day. Sze and Cole will also explore how both of their respective artistic practices capture nonlinear experiences of time and the urban environment. The event is free to attend.

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Sarah Sze, Shorter Than the Day, 2020, installation view, LaGuardia Airport, New York © Sarah Sze. Photo: Nicholas Knight

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Announcements

Tatiana Trouvé, The Guardian, 2024 © Tatiana Trouvé. Photo: Thomas Lannes

Honor

Tatiana Trouvé
Årets Skulptør 2024

Tatiana Trouvé has been named 2024’s Sculptor of the Year by Kistefos in Jevnaker, Norway. Every year, the chosen artist is invited to create a site-specific work to be permanently installed in the museum’s sculpture park. Trouvé’s two Kistefos sculptures are part of her Guardian series (2013–), which symbolize fictional characters who guard different places and life forms. The artist created the works in response to the former wood pulp mill in which they will be installed—keeping not only the landscape and local animal life in mind, but also the building’s industrial history and the people who have shaped it into the institution it is today. The work will be unveiled on May 4, in conjunction with the opening of the 2024 season, and is the fifty-third commission in the collection.

Tatiana Trouvé, The Guardian, 2024 © Tatiana Trouvé. Photo: Thomas Lannes

Still from Exhibiting Forgiveness (2023), directed by Titus Kaphar

Announcement

Exhibiting Forgiveness
Acquired by Roadside Attractions

Exhibiting Forgiveness (2023), a film written, directed, and produced by Titus Kaphar, which premiered in January 2024 at the Sundance Film Festival, has been acquired by the film distribution company Roadside Attractions. Exploring family, generational healing, and the power of forgiveness, the motion picture follows a Black artist (André Holland) attempting to overcome the trauma of his past through painting; he is on the path to success when he is derailed by an unexpected visit from his estranged father. The film will open in theaters nationwide in Fall 2024.

Still from Exhibiting Forgiveness (2023), directed by Titus Kaphar

Ed Ruscha, Actual Size, 2024 © Ed Ruscha

Support

Ed Ruscha × Avant Arte
Limited-Edition Print for LACMA

Ed Ruscha has partnered with Avant Arte, an online art marketplace, to create a limited-edition print of his painting Actual Size (1962) on the occasion of ED RUSCHA / NOW THEN, a major retrospective of his work at the Los Angeles County Museum of Art. A portion of proceeds from sales will benefit the museum’s future. The print will be available for purchase online at Avant Arte for forty-eight hours beginning at 1pm ET on Thursday, April 11, 2024. The edition size will be determined by the number of orders placed within the timed-release period. Each print is individually numbered and authenticated with a bespoke artist’s stamp.

Ed Ruscha, Actual Size, 2024 © Ed Ruscha

Neil Jenney with a portrait of himself by Joseph McNamara at Gagosian, 980 Madison Avenue, New York, 2013. Artwork © Joseph McNamara. Photo: Robert Wright/The New York Times/Redux

Honor

Neil Jenney
Tribeca Ball 2024

Neil Jenney is the honoree of the Tribeca Ball 2024, taking place on April 1 in New York. During the annual gala, the five floors of the New York Academy of Art are open for guests to explore while students offer a firsthand look at their creative processes. Proceeds from the event support the nonprofit school, which was founded by artists in 1982, and its mission to empower a new generation of artists, and will be used to establish the Neil Jenney Artist Scholarship Fund.

Neil Jenney with a portrait of himself by Joseph McNamara at Gagosian, 980 Madison Avenue, New York, 2013. Artwork © Joseph McNamara. Photo: Robert Wright/The New York Times/Redux

Giuseppe Penone, Project for Royal Djurgaden, 2022 © Giuseppe Penone/2024 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo: © Archivio Penone

Honor

Giuseppe Penone
Årets Konstnär 2024

Giuseppe Penone has been named 2024’s Artist of the Year by Prinsessan Estelles Kulturstiftelse (preks), a foundation established in 2019 by Sweden’s Crown Princess Victoria and Prince Daniel and named for their daughter, Princess Estelle, with the mission of promoting cultural activities in the country. Every year, the chosen artist is invited to create a monumental, site-specific work to be permanently installed within Prinsessan Estelles Skulpturpark, a sculpture park at Royal Djurgården in Stockholm. Penone’s sculpture, The Inner Flow of Life (2022), will be unveiled on May 30, 2024.

Giuseppe Penone, Project for Royal Djurgaden, 2022 © Giuseppe Penone/2024 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo: © Archivio Penone

James Turrell, Leading, 2023 © James Turrell. Photo: John Galayda

Permanent Installation

James Turrell
Leading

James Turrell’s Leading (2023) has been permanently installed at Friends Seminary, a Quaker school in Manhattan, New York. On the school’s sixth floor, the artist created a meeting room whose roof opens to the sky and bathes the space in a spectrum of shifting radiant color, while the sky appears to float inside the installation. Leading is the only one of more than eighty-five Skyspaces by Turrell around the world attached to an active K-12 school. The installation is open to the public on the last Friday of each month that Friends Seminary is in session.

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James Turrell, Leading, 2023 © James Turrell. Photo: John Galayda

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Museum Exhibitions

Installation view, ICP at 50: From the Collection, 1845–2019, International Center of Photography, New York, January 24–May 6, 2024. Artwork, left to right: © Nan Goldin, © Zanele Muholi, © Deana Lawson. Photo: Jeenah Moon, courtesy International Center of Photography

Closing this Week

ICP at 50
From the Collection, 1845–2019

Through May 6, 2024
International Center of Photography, New York
www.icp.org

ICP at 50 is a thematic exploration of the many processes that comprise the history of the photographic medium, drawn from the International Center of Photography’s holdings. The institution was established in 1974 and the exhibition offers insight into the breadth and depth of its collection which spans from the nineteenth century to the present day. Work by Richard Avedon, Nan Goldin, Deana Lawson, and Andy Warhol is included.

Installation view, ICP at 50: From the Collection, 1845–2019, International Center of Photography, New York, January 24–May 6, 2024. Artwork, left to right: © Nan Goldin, © Zanele Muholi, © Deana Lawson. Photo: Jeenah Moon, courtesy International Center of Photography

Installation view, When Forms Come Alive, Hayward Gallery, London, February 7–May 6, 2024. Artwork, left to right: © Nairy Baghramian; © Archiv Franz West, © Estate Franz West. Photo: Jo Underhill, courtesy Hayward Gallery

Closing this Week

Franz West in
When Forms Come Alive

Through May 6, 2024
Hayward Gallery, London
www.southbankcentre.co.uk

Spanning over sixty years of contemporary sculpture, When Forms Come Alive highlights ways in which artists draw on familiar experiences of movement, flux, and organic growth. Inspired by sources ranging from a dancer’s gesture to the breaking of a wave, from a flow of molten metal to the interlacing of a spider’s web, the works by twenty-one international artists conjure fluid and shifting realms of experience. Work by Franz West is included.

Installation view, When Forms Come Alive, Hayward Gallery, London, February 7–May 6, 2024. Artwork, left to right: © Nairy Baghramian; © Archiv Franz West, © Estate Franz West. Photo: Jo Underhill, courtesy Hayward Gallery

Installation view, Some Dogs Go to Dallas, Green Family Art Foundation, Dallas, February 10–May 12, 2024. Artwork, left to right: © Amoako Boafo, © Maggie Ellis. Photo: Evan Sheldon

Closing this Week

Some Dogs Go to Dallas

Through May 12, 2024
Green Family Art Foundation, Dallas
www.greenfamilyartfoundation.org

Some Dogs Go to Dallas presents a selection of works from the collection of Pamela and David Hornik. Ardent dog lovers, the Horniks have a penchant for acquiring pieces depicting canines across eras, locations, and techniques from throughout the art historical canon. The diversity of this collection underscores the universality of the human connection with animals and the profoundly enduring love that those bonds create. Work by Amoako Boafo and Andy Warhol is included.

Installation view, Some Dogs Go to Dallas, Green Family Art Foundation, Dallas, February 10–May 12, 2024. Artwork, left to right: © Amoako Boafo, © Maggie Ellis. Photo: Evan Sheldon

Lauren Halsey, Loda Land, 2020 © Lauren Halsey

Closing this Week

Multiplicity
Blackness in Contemporary American Collage

Through May 12, 2024
Museum of Fine Arts, Houston
www.mfah.org

Multiplicity presents over eighty major collage and collage-informed works by fifty-two living artists. The works reflect the breadth and complexity of Black identity, exploring diverse conceptual concerns such as cultural hybridity, notions of beauty, gender fluidity, and historical memory. From paper, photographs, fabric, and salvaged or repurposed materials, these artists create unified compositions that express the endless possibilities of Black-constructed narratives within our fragmented society. This exhibition originated at the Frist Art Museum, Nashville, Tennessee. Work by Derrick Adams, Lauren Halsey, and Rick Lowe is included.

Lauren Halsey, Loda Land, 2020 © Lauren Halsey

Installation view, Jim Shaw: The Ties That Bind, Museum of Contemporary Art Antwerp, Belgium, February 9–May 19, 2024. Artwork © Jim Shaw. Photo: Kristien Daem

On View

Jim Shaw
The Ties That Bind

Through May 19, 2024
Museum of Contemporary Art Antwerp, Belgium
www.muhka.be

The Ties That Bind explores Jim Shaw’s work from the last five decades, which has at once anticipated and mirrored shifts in the American cultural and political landscape during this period. In recent decades, the artist’s work has increasingly highlighted the growing tension between conservative and progressive ideologies. The exhibition presents drawings, paintings, photographs, and immersive installations that bring to light the core motifs of Shaw’s practice.

Installation view, Jim Shaw: The Ties That Bind, Museum of Contemporary Art Antwerp, Belgium, February 9–May 19, 2024. Artwork © Jim Shaw. Photo: Kristien Daem

Nathaniel Mary Quinn, Father Stretch My Hands, 2021 © Nathaniel Mary Quinn. Photo: Rob McKeever

On View

The Time Is Always Now
Artists Reframe the Black Figure

Through May 19, 2024
National Portrait Gallery, London
www.npg.org.uk

The Time Is Always Now showcases the work of contemporary artists from the African diaspora and highlights their use of figures to illuminate the richness and complexity of Black life. The exhibition examines both the presence and the absence of Black figures in Western art history and the social, psychological, and cultural contexts in which they were produced. Work by Titus Kaphar and Nathaniel Mary Quinn is included.

Nathaniel Mary Quinn, Father Stretch My Hands, 2021 © Nathaniel Mary Quinn. Photo: Rob McKeever

Installation view, Derrick Adams: Future People . . . Take Off, PES FUTURES, New York, March 27–May 25, 2024. Artwork © Derrick Adams Studio. Photo: Carlos Hernandez

On View

Derrick Adams
Future People . . . Take Off

Through May 25, 2024
PES FUTURES, New York
www.pesfutures.org

Derrick Adams’s exhibition Future People . . . Take Off, an imagined environment meditating on past, present, and future ideas of Black culture, Futurism, and African roots, is the inaugural presentation in the PES FUTURES program. Sited in Project for Empty Space’s new headquarters, PES FUTURES is a space for artists interested in the realization of parallel and intersecting potentialities and the possibility to claim and reclaim space through their work. Inspired by the Afrofuturist movement, Adams’s installation incorporates images, video, and music.

Installation view, Derrick Adams: Future People . . . Take Off, PES FUTURES, New York, March 27–May 25, 2024. Artwork © Derrick Adams Studio. Photo: Carlos Hernandez

Installation view, Stanley Whitney: How High the Moon, Buffalo AKG Art Museum, New York, February 9–May 26, 2024. Artwork © Stanley Whitney. Photo: Brenda Bieger, Buffalo AKG Art Museum

On View

Stanley Whitney
How High the Moon

Through May 26, 2024
Buffalo AKG Art Museum, New York
buffaloakg.org

Conveying the breadth of Stanley Whitney’s practice from the early 1970s through today, this exhibition of artist’s paintings at the Buffalo AKG Art Museum, New York (formerly the Albright-Knox Art Gallery), also includes a robust installation of drawings, prints, and sketchbooks. The retrospective contextualizes Whitney’s practice in relation to his artistic community as well as his influences—from the history of art and architecture to quilting, textiles, and jazz.

Installation view, Stanley Whitney: How High the Moon, Buffalo AKG Art Museum, New York, February 9–May 26, 2024. Artwork © Stanley Whitney. Photo: Brenda Bieger, Buffalo AKG Art Museum

Sally Mann, Jessie #25, 2004 © Sally Mann

On View

Sally Mann in
Love Languages

Open from September 2, 2023
Museum of Fine Arts, Houston
www.mfah.org

Love Languages considers how the making of art is a type of love language all of its own. The installation attempts to address the question “How do we prioritize tenderness against debilitating social conditions?” The works on view engage with the necessity of intimacy in interpersonal and collective relationships. Work by Sally Mann is included.

Sally Mann, Jessie #25, 2004 © Sally Mann

Installation view, The Whitney’s Collection: Selections from 1900 to 1965, Whitney Museum of American Art, New York, June 28, 2019–May 2022. Artwork, left to right: © 2020 The Jay DeFeo Foundation/Artists Rights Society (ARS), New York; © Norman Lewis; © 2020 The Franz Kline Estate/Artists Rights Society (ARS), New York. Photo: Ron Amstutz

On View

The Whitney’s Collection
Selections from 1900 to 1965

Opened June 28, 2019
Whitney Museum of American Art, New York
whitney.org

This exhibition of more than 120 works, drawn entirely from the Whitney’s collection, is inspired by the founding history of the museum. The Whitney was established in 1930 by Gertrude Vanderbilt Whitney to champion the work of living American artists. A sculptor and a patron, Whitney recognized both the importance of contemporary American art and the need to support the artists who made it. The collection she assembled foregrounds how artists uniquely reveal the complexity and beauty of American life. Work by Jay DeFeo, Willem de Kooning, Roy Lichtenstein, Man Ray, Ed Ruscha, Andy Warhol, and Tom Wesselmann is included.

Installation view, The Whitney’s Collection: Selections from 1900 to 1965, Whitney Museum of American Art, New York, June 28, 2019–May 2022. Artwork, left to right: © 2020 The Jay DeFeo Foundation/Artists Rights Society (ARS), New York; © Norman Lewis; © 2020 The Franz Kline Estate/Artists Rights Society (ARS), New York. Photo: Ron Amstutz

Installation view, Indian Skies: The Howard Hodgkin Collection of Indian Court Painting, Metropolitan Museum of Art, New York, February 6–June 9, 2024. Photo: Hyla Skopitz

On View

Indian Skies
The Howard Hodgkin Collection of Indian Court Painting

Through June 9, 2024
Metropolitan Museum of Art, New York
www.metmuseum.org

Over the course of sixty years, Howard Hodgkin formed a collection of Indian paintings and drawings that is recognized as one of the finest of its kind. The artist collected works from the Mughal, Deccani, Rajput, and Pahari courts dating from the sixteenth to the nineteenth centuries. This exhibition presents over 120 of these works, many of which the Metropolitan Museum of Art recently acquired, alongside loans from the Howard Hodgkin Indian Collection Trust.

Installation view, Indian Skies: The Howard Hodgkin Collection of Indian Court Painting, Metropolitan Museum of Art, New York, February 6–June 9, 2024. Photo: Hyla Skopitz

Francesca Woodman, Untitled, Providence, Rhode Island, 1975–78 © Woodman Family Foundation/Artists Rights Society (ARS), New York

On View

Francesca Woodman and Julia Margaret Cameron
Portraits to Dream In

Through June 16, 2024
National Portrait Gallery, London
www.npg.org.uk

Photographers Francesca Woodman (1958–1981) and Julia Margaret Cameron (1815–1879) lived a century apart—Cameron working in the United Kingdom and Sri Lanka from the 1860s onwards, and Woodman in the United States and Italy from the 1970s. Both women explored portraiture, going beyond its ability to record appearance, and using their own creativity and imagination to suggest notions of beauty, symbolism, transformation, and storytelling. Showcasing more than 150 rare vintage prints, this exhibition presents an overview of both artists’ careers, and suggests new ways both to look at their work and to examine how photographic portraiture was created in the nineteenth and twentieth centuries.

Francesca Woodman, Untitled, Providence, Rhode Island, 1975–78 © Woodman Family Foundation/Artists Rights Society (ARS), New York

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